“A scientific discovery made in Philo of Alexandria and Rudolph Steiner´s works reveal that the Logos of the Gospel of St. John 1:1, is the Divine faculty of reasoning of the human intelligence that was glorified with a mirror that allows to see in the works of art, the invisible images of the world of the mind” (Rom.1:20).

Philo reveals that this painting by Da Vinci keeps the secret of the creation of Matthew13:35 and

Eph.5:21-33

A scientific investigation discovered that Philo of Alexandria´s works are not theological-philosophical treaties from the 1st century, but advanced studies about experimental psychology of consciousness done in the 19th century which explains the mind function and warn that Biblical patriarchs are not human beings but virtues acquired by human intelligence through instruction which allow it to progress until reaching the Divine gift of reasoning identified with Christ. Philo reveals that this faculty of reasoning is the Divine Logos mentioned in the Gospel according to Saint John, the Christ that John Baptist points out as the mirror of intelligence that allows to see the thoughts of the soul inside his mind. The mirror shows, just like Philo reveals, that the creation of Adam and Eve is the genesis of John Baptist’s soul, formed by intelligence without reason and his sensitivity, fallen into vicious and corporal passion. This John’s soul is the one that resuscitates from that deadly sin which is ignorance (Biblical death) when he receives Christ s light through the saint spirit baptism of the instruction.

THE MIRROR OF THE SACRED SCRIPTURES & PAINTINGS is the first illustrated Bible published in two volumes, based on an exegesis realized in 2001 about Philo of Alexandria’s works, the greatest source of evangelic theological-philosophical fundament, which reveals that the holy scriptures tell the sacred history of the mind, and explains the origin and the evolution of the human intelligence. Philo’s works are treaties which warn that Rabbinic and Christian traditions turned the Torah and the Holy Gospels sacred language of the mind into a human history to attribute themselves the inheritance of God and Christ hiding to the world that the Bible is not a history of human beings. His works explain that Adam is the name given to intelligence (called man) which in genesis is born without reason. The biblical woman is the static sensitivity (the virgin and immortal soul) which becomes Eve (active sensitivity) when intelligence without instruction knows the pleasure snake which enslaves her virgin soul with the deadly vices of the body. In that context, patriarchs are virtues which are born with instruction and fight inside the mind in order to defeat vice and ignorance.

Philo’s logos and the one of Saint John’s Gospel represent the spirit of John Baptist’s reason which was identified with the name of Christ that lets him take consciousness of his actions and resuscitate his soul through instruction. Philo reveals that this is the greatest secret of biblical philosophy where the prophetic faculty of reason was represented with a mirror (Sb7:26; 2Cor.3:18) which allows the eye to see the invisible (Rom.1:20) images hidden in the works of art, in the same way reason shows thoughts to intelligence inside the mind. That is the reason why Philo refers to the paintings such as those of Da Vinci’s and Raphael Sanzio’s where John Baptist points out with his finger at a mirror announcing the arrival of Christ. Philo reveals that the irrational human interpretation of the Bible done by the Rabbinic and Evangelic theology was the one that crucified Christ, when in the history of mind, Christ is the spirit of reason, (John’s master and priest)who resuscitated his intelligence (Adam) from death of ignorance (the real deadly sin of Genesis) with the baptism of holy spirit of instruction. John Baptist’s finger and in all the works of art, points out the secret of mirrors showing invisible images (for intelligences without instruction), that unmask the imposture and falsity of the extra biblical councils which arbitrarily turned out the spiritual history of mind into a human history (Da Vinci Ritcher Code 1.358).

These conclaves not only profaned with sophisms the sanctity of Philo’s Divine logos, Saint John1: 1 Gospel’s and the one of fathers of Christianity, but also usurped the PRIESTHOOD of Divine reason which is inside human mind. Philo refers to the mystery of Matt. 13:35 as the greatest challenge ever made to human faith and intelligence revealing that Adam and Eve are John Baptist’s sinner soul which can be seen with a mirror in the works of art. Christ is the Divine reason and the mirror of John’s consciousness which baptizes his intelligence (Adam) and sets him free from the slavery of desire, vice, passion and ignorance.

Plato y Aristotle

Raphael Sanzio represented Plato in the Academy of Athens with Da Vinci’s face pointing at the sky with his finger, Philo of Alexandria’s and Saint John’s 1:1 Logos as the human reason creator of the world of ideas (Christ Creator of the world quoted by Vasari in Da Vinci’s Life). The mirror shows the face of instruction hidden in the mantles of all the distinguished characters of Renaissance and those of the FACTORY of IDEAS from Saint Peter Basilica: “The human brain”.

Introduction

Philo of Alexandria’s treaties and the works attributed to Michelangelo, Raphael Sanzio, Da Vinci (including their codes which compare functions of human body to the nature of the earth), explain that the Bible just like oriental philosophy, is the history of the mind and the body (which in the Biblical Genesis were called symbolically heaven to the mind and earth to the body), (Philo of Alexandria, C.D. Yonge,1854; Filón de Alejandría Acervo Cultural Editores,1976. Leg. alleg. I, 1,21 and Ritcher Code).

The man and his woman are intelligence and corporal sensitivity which forms John’s soul inside the brain, which when falls in the temptation of the snake of corporal pleasure loses its faculty of reasoning.

In this way Philo begins the greatest scientific revelation, that explains in a sublime way that in the Biblical philosophy patriarchs are virtues of intelligence, that were represented in the works of art with human figures and their faculty of reasoning, through virtual images that can only be seen with mirrors. His revelations about philosophical psychology, quantum physics, atomic division, its affinity with works by Josephus, Da Vinci, Vasari and with the philosophy of Buddha, Platón, Cervantes, Descartes, Leibniz, Rousseau, Kant, Wundt, Nietzche, Hegel, Freud and Steiner reveal that the Bible, the ancestral books, the works of art of Renaissance and archeological ruins do not describe historical facts, but would have been pedagogically conceived between 18th and 19th centuries in order to teach flowering humanity in discernment.

The images that Philo reveals by using mirrors in the works of art of Buddha, the Vatican and the museums in the U.S.A. and Europe, prove that all the religions are part of the Biblical history where reason fights against passion and ignorance in order to erase them from the human memory. (Exod.17:14). The Crystal mirror is the universal symbol of science and human reason which were glorified in the works of arts the ideas and thoughts which set humanity free from ignorance through the educational system , and that reveals just like Philo and Giorgio Vasari, that artists and patrons of Renaissance were not Italian.

Philo and Da Vinci reveal the mystery of Genesis and the New Testament

Philo and Da Vinci reveal that the mirrors show that man is the primitive intelligence without instruction which once connected to his woman sensitivity, gives life to the soul that generates thoughts inside the brain (Da Vinci, Ritcher.838). When intelligence uses reason as mediator and counselor, the static sensitivity, that is the virgin soul and mother of all virtues. Instead, when reason does not interact the irrational and deadly impulse of sensorial apprehension, awakes. This is the active sensitivity (which was betrayed by the snake of corporal pleasure according to 2Cor.11:3) which represents the mother soul of vice that Adam (and not God) named as Eve (Gen. 3:20 ;Leg. Alleg. II,24 ,45, 71,81). Christ is John’s conviction who steps (Gen.3:15) on the head of the snake of pleasure and resuscitates his soul into a virtue. Philo reveals that the announcement of Passion called Amalec (the one God wants to erase from the human memory in Exod.17:14, Leg.Alleg.III, 186), is the greatest battle ever fought between Christ (Divine reason) and vices John (Matt.3:6,7) and Jesus (Matt.23:33) reprimand accusing them of being the race of snakes which enslaved his soul in Passion.

This invisible spirit of the Divine reason and the courage of will that received the name of Christ is the one that descends from Eden of Mind (literally interpreted as heaven) to hell of sensorial perception of the body (literally interpreted as the earth) in order to crucify vice which is “the son of man” ( John’s intelligence son quoted in Matt.17:12,13) and expiate the sins of soul which will turn it into a virtue in heavens (Lk21:26, 27) of the mind. In this titanic fight Divine reason (Christ) resists the stings of pleasure (represented by whiplashes), with the temperance which crucifies the body of sin and sets the soul free from slavery of vice and from ignorance. This sin is the one that entered John’s humanity when his intelligence-Adam fell into the irrational impulse of Passion (1Thess.4:5) that killed him without remedy (Gen.2:17) loosing the immortal life of virtues when he knew the snake of pleasure through active sensitivity called Eve.

Philo reveals that Adam is John Baptist’s intelligence and Eve is corporal sensitivity which connects it with the snake of pleasure

J. Bautista, L. Da Vinci

Adam, his woman and Eve, active sensitivity

Miguel Angel Buonarroti

of Tree of Good and Evil. The body-woman dominates the mind-man against the warning of (Eph. 5:22- 33). Philo reveals that John Baptist, baptized with the water of passions.

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Philo reveals that placing a mirror on this John Baptist’s painting it can be seen the mystery of creation of the biblical woman (corporal sensitivity) created from intelligence-man (Gen.2:22, Leg. Alleg.II, 19; III, 11) which describes in the mute language of paintings the conversation among God, the man, the woman and John Baptist’s “snake of corporal pleasure”. The mirror shows John in front of the tree of good and evil and his arms represent intelligence which controls with temperance his reproductive organ (the snake of pleasure), symbol of quadruped Passion (Leg.Alleg .II, 81; De Agric.92, 197) and the beast of Apoc. 13:18 (Quis R Div.Heres, 118) that only those with sharp eyesight may see (De Op M.,76).These two women-sensitivities that live together inside the mind are called virtue and pleasure (De S.A.Caini.,20) this last one represented by Michelangelo in the Sistine Chapel with the body of a snake twisted around the tree of the mind. John also uses temperance when he takes the crook by its tail (Exod.4:4) so that it does not become a snake (the corporal pleasure).

This painting keeps, besides, the secret of XX female chromosome which is formed by placing the mirror between the X and the Y of male chromosome, one of the scientific revelations of the 19th century.

Philo reveals that Christ is the Divine reason and the mirror of consciousness which confesses John Baptist s from the original sin which is the ignorance

Philo refers to Christ as the priest THAT IS the Divine reason which confesses John Baptist and resuscitates his soul from the death of ignorance. “… While Divine reason (word) has not yet entered our soul, all our actions are free of guilt, because this father, master and priest of consciousness, is the only one who can censor it and guide it to good sence. Charges are not pressed against those who sin because of ignorance, since they do not have experience as their counselor of what they are to do, but when this true priest that is conviction, gets into us like the purest lightning, then we have clear knowledge that thoughts inside our soul, are not saint, and so conviction, in its role of consecrated priest stains them all and orders to remove them and take them out, in order to see the house of soul in the same purity; and, if it has been affected by certain diseases, to be able to heal them” (Q.D.I.sit 134, 135).

Philo also refers to this painting of Adam and Eve that can be seen with a mirror (Op. M. 76) and affirms that through it, actions that make us ashamed are seen (De Josephus, 87). He also explains that the mirror (like reason) allows us to contemplate our own intelligence and if any embarrassing sign originated by irrational Passion appears, this gift can remedy it (De vita .M..II,139).

The mirror shows that the Bible and Buddha are the history of the mind and the body.

Buddha in front of the tree of life and wisdom

Philo’s works reveal that Oriental philosophy just like the Biblical genesis is the history of a human being’s mind and body. Christ and Buddha represent the “Id” of Divine reason which struggles to govern the senses of its own body. Philo reveals that Buddha contrary to John Baptist does not have the mark of vice because it is strange to Divine Orient (Leg.Alleg.I, 61). This is represented with Buddha’s crossed legs, in Yoga position which is the body language and symbol of mental control with which his intelligence governs his sensitivity.

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The mirror shows Buddha’s sensitivity-woman separated from male discernment of his intelligence-man preaching wisdom in front of the tree of life whose fruit are virtues. On the other hand, John appears in the
mirror in front of the tree of good and evil, and his bent legs show the image of his sinner sensitivity-woman that will be purified by Christ. Different from Buddha, John’s bent legs generate in thoughts, the image of sin. John has his tree dried, neither flowers nor fruit, he is sitting at the edge of the river without water, with arid earth, the deer without food, the sky is cloudy and his body is naked because of the lack of virtues, fighting in order to eliminate vice and passion, to resuscitate his soul into a new man.

Philo reveals that Buddha is in the Garden of Eden together with virtues of Divine reason, preaching Oriental wisdom (free of original sin of the pleasure snake) and governing sensitivity woman and his five senses at his feet.

The wrong interpretation of the biblical, historical and Renaissance philosophy led sophists to believe that great artists such as Michelangelo and Da Vinci (whose Divinity is underlined by Vasari) were homosexual, when in the language of philosophy all of them were far from woman, who is the body sensitivity (just like Buddha and Christ), which does not mean to be a feminine human as it was wrongly interpreted in the Bible and in all the history books and Philosophy from Plato to Freud.

Philo of Alexandria’s and Flavius Josephus´ warnings to those initiated in faith

Philo of Alexandria and Flavius Josephus warn about the allegories and enigmas of Moses´ sacred words when they affirm that they do not describe a history of human beings. Philo reveals that Biblical translation is morphological and not philological like the universe of intelligence and agriculture of soul and explains the meaning of hundreds of words and names such as the heifer, ram and the goat (Gen.15:9) which are not animals but symbolize the soul, language and sensitivity (Q.R.D.Heres,106). The wrong interpretation of biblical language led to confuse the meaning of circumcision which represents the separation of corporal pleasures through temperance and courage of will, which was cruelly humanized with the cut of prepuce. His works reveal that nobody can receive or reach the knowledge of sovereign and Divine reason (Christ) while we go on in the sin of interpreting the Bible as a story performed by human beings since the scriptures are far from reflecting the reality of things.(Preface Ant. Jews; De P.Caini,1; De Iosepho,28; De V.Con.t.28,78 De Prov.2,19).

The sacred language of the Bible

Philo of Alexandria admonishes those who preach the scriptures in a human way because they are forced to use sophisms in order to justify its incompatibility with biblical versicles. Human interpretation of the scriptures must appeal to faith in the invisible and supernatural things to be able to justify the true miracles that take place inside the mind, such as blindness of intelligence identified with ignorance which is healed with faith in instruction and with reasoning.

While human interpretation preaches that Angels are divine apparitions coming from heaven, Philo reveals that they are not human beings with wings but artists represented in their works of art, the divine thoughts of human reason which bring the advice that get virtues lady’s pregnant. In the same way, while sophistic human interpretation of the Bible preaches that prophets are visionary men who predicted future events, Philo explains to us that they represent the Divine power of reasoning and experience which allows intelligence to foresee future things that this one cannot perceive through the senses. This unfortunate criterion of those who humanize scriptures, induced men to believe that massacres of cities and biblical deaths were those of human beings (men, women and children) and Philo explains to us that they are the deaths of irrational passions that glorify God, where the priesthood of Reason struggles in order to kill vice (De gigantibus; De P. Caíni182-185; De ebrietate, 69, 70) and turn them into virtues. In the same way it has been believed that sacrifice of intelligence which glorifies reason, were killings of animals cut into pieces daily, performed inside a temple as calming smell for God.

That is why Philo despises flattering sophists, who pretend with their vain human rituals, the worship to the Divinity, which far from pleasing it, they degrade its sovereign nature as if it could feel the miserable satisfaction of flattering with which mortals get pleased.

Philo reveals that the high philosophical content of sacred scriptures is what induced neophyte in Hebrew philosophy about the mind, to believe that the Bible was performed by people who in the Antiquity would have been witnesses to supernatural events. When instead, Divine inspiration is the one that appears when human intelligences follow the dictations of the powerful strength of reasoning that was identified with GOD, symbol of the eternal power of wisdom (which was represented in the works of art with the immaculate mirror) which is introduced from generation to generation in the human race minds (Sb 7:22-30; 1Col.13:12; 2Col13:18).

The tale about Jesus´ transfiguration on the mount where Peter tries to put up three tents for the spirits of Moses, Elijah and Jesus “without knowing what he was saying” (Lk 9:33) demonstrates that the poor and naïf interpretation of Peter’s was used to convert the spiritual history of the Bible into a history of human beings. This episode of transfiguration like many others is not mentioned in the Gospel according to Saint John because John is indeed the protagonist of the biblical history and Peter’s first master (Jn1:40)who never noticed about the transformation of his master into a new man called Jesus. Peter’s wrong interpretation was the one that killed the Bible last prophet (Christ) who came to publish the mystery of the world creation according to Matt. 13:35, a revelation done by the Renaissance men through Philo of Alexandria’s treaties and pointed out in all John Baptist’s works of art in the museums of Europe.

Philo’s revelations weren ignored by the rabbinic and evangelic theology which turned the sacred history of the mind into a sea of questions and enigmas which are “IMPOSSIBLE” to solve (Interpreting the bible literally) from a human point of view. (Leg.Alleg.II,19; III 236; G.D.P.I.Solet9,15; De P.CainiI, 1; De Plantatione113; De Sobrietate33; De Migratore Abraham89, 193; De SomniisII, 102,164; De Abraham120; De Iosepho28, De P. et P. et Exsc. 61-66; De Vita Contemp. 27,28,78; Q.R.D. Heres 302; De Agricultura157/162/164).

The book will publish for the first time the very sacred revelations of Philo of Alexandria which, as the author affirms, are not addressed to those who profane the scriptures humanizing biblical characters, but to those who wish to be initiated in the knowledge of sacred mysteries of human intelligence giving themselves to faith of instruction.

Philo reveals that the body lying on the virgin of the Piety is not Christ’s body

The Piety by Michelangelo in the Vatican

Goddess Quan Yin

The mirror shows the image of Satan in The Piety

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The mirror show the blood of the sin filling the cup

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The mirror shows the image of Quan Yin expiating the blood of sin

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The Piety by Michelangelo and the Goddess from the Orient Quan Yin, are master pieces of discernment where in the same sphinx the opposite faces of virtue and vice are shown, which can be seen with a mirror. The mirror shows, such as Philo reveals, that the body lying over the Virgin of the Piety by Michelangelo is not that of Christ’s but John Baptist’s body and image of the sinner intelligence (Rom.1:25). This body (whose right foot is shown deformed in The Piety photographed by Hupka), takes the evil mark of the beast of Apoc.13:18 which can be seen with the mirror showing both legs turned into the mortal and quadruped passion of the vice of Genesis, just like Da Vinci’s John Baptist’s both legs which seen with a mirror become Adam and Eve. The sculptural group of the Piety represents the resurrection of John Baptist’s soul (intelligence-Adam and his sensitivity-Eve) where Mary symbolizes the static sensitivity (widow of vicious intelligence) which expiates the blood of sin of Passion and ignorance of Genesis over a grail of stone (which is seen with the mirror), becoming afterwards, a young and pure virgin which gives birth to the virtues of The Sacred and Divine reason.

Mary’s look is addressed to the crotch where the mirror shows the satanic image of vice and ignorance of the Genesis which is the body of the creature (Rom. 1:25) the one they served and worshiped believing it was the Christ creator of the world (G. Vasari). The digital mirror allows to see the great mystery of The Piety quoted in 1Tim.3:16 and in what way the body of sin drains when dropping John’s intelligence blood of vice inside the grail (Lk 22:20) of stone which is seen with a mirror. In the same way, the Goddess of the Orient Quan Yin expiates her sins seen with a mirror.

Philo reveals the sacred mysteries of the mind (and the mystery of Mary’s youth in the Vatican Piety) and explains that virginity in the language of the Bible does not refer to the intimate part of feminine sexuality but to the sacred purity of the human soul (De cherubim 42ss. De Agricultura, 110).

When sensitivity is wrongly governed by intelligence, it fills the soul of passions and vices, let her pregant with her sons called pleasures, concupiscence, stupidity, incontinence, injustice, putting it in risk of death. But when intelligence learns and acquires reason, conviction gets into the soul which stops producing such sons (Lk 23:29) and becomes sterile, recovering youth and fecundity which turns it into a pure virgin after receiving the Divine germ of virtue from the Divine thoughts called Angels (the storks of virtues) (De sobrietate,65 De C. Ling. 28.), the same ones that give life to wisdom, braveness, temperance, justice and sanctity (De P. et P. Et Execrat. 158ss; De P. Caini133ss.).

The father of theological-philosophical fundament of the evangelical doctrine underlines all these virtues which make beautiful and glorify the soul properly governed by intelligence. But human interpretation has detracted in a lascivious way the moral of soul and its spiritual virginity, assuming that virgins like Sarah and Mary were human beings. As a consequence of that, those initiated in learning have been induced to glorify purity of feminine intimacy offending with obscene thoughts the integrity of mothers and detracting the procreation of their children, keeping devotees away from truth and reasoning with a method analogous to that of sophists (highly repudiated by Philo) with which the Holy Scriptures were humanized and profaned (De P.CainiI, 1; De Iosepho, 28; De V.Con.t.28,78).

Philo of Alexandria’s sacred revelations are the ones which clean the consciousness and keep away bad thoughts that are inculcated to the devotees when they are confessed about carnal habits that many children do not even know. Reasoning is the only way to be able to keep away from vice like gluttony, drunkenness, greed, pride or betrayal practiced by not few of those who call themselves disciples of the master or intermediaries of divinity.

Philo’s works point out the importance of transmitting the five virtues to our children in order to initiate them in the holy revelations and to keep away for good bad thoughts through discernment which gives light to prudence, courage, temperance, justice and goodness.

The mirror in Buddha Kamakura and in that one of Lantau

Buddha Kamakura

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Buddha’s fingers point at the symmetry which is seen with a mirror

Buddha Lantau

Buddha Lantau

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Moisés

Miguel Angel Buonarroti

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Buddha Kamakura discovers with his fingers facing each other, the secret of the mirror, symbol of mental balance between his mind and his body and of discernment which allows him to be disconnected from his corporal sensitivity and control the snake of pleasure. The feminine features of Passion are not seen with the mirror like in other figures of Buddha. Buddha Kamakura is shown concentrated as a symbol of intelligence which is disconnected from seeing, hearing, smelling, tasting and touching. This is the meditation and confession exercised in the Orient through the Divine reason that was identified in the Occident with the name of Christ. The mirror shows Buddha Lantau with his hands raised, far from Passion (like Maneki Neko of Good luck) just like Moses raised his hands of intelligence in the desert in order to defeat Passion which in the Bible received the name of Amalec (Ex17:8-15; Leg.Alleg. III, 186,187; De .Abraham,143).

Miracles of the exodus

The mirror shows Moses by Michelangelo with the powerful arms of his intelligence controlling the snake of the pleasure. Philo reveals that Moses’ image seen with mirrors represents the sovereign intelligence which under the dictations of his reason rescues his people (sensitivity of the soul) from the slavery of vices and passions of the body (called Egypt). The mirror on the left shows that Moses’ raised arms (supported by the tables of stone) control passion called Amalec and the mirror on the right shows the arms of intelligence fallen into passion and Moses’ face turned into the snake of pleasure. Philo explains that moderation is the plague of locusts with which God killed the first-born passions of the body (Egypt) such as concupiscence, pleasure, pain, fear, injustice, stupidity and incontinence (De O. Mundi, 164; De Somnis, 266; De P.Caini, 69).

The sacrifice of The Easter represents the transit of the soul (Israel), from the Earth to the irrational passions and vices (Egypt) to the rational practice of virtue, in the heavens of the mind (Jerusalem). After dividing the waters of passions with the rod of discernment, Moses defeats again this powerful enemy called Amalec, leading his soul through the abstinence of the desert towards the promised land of right reason of the mind in the garden of Eden where the virtues of prudence, temperance, courage, justice and goodness reside in the sacred temple of reason inside the brain (De S. Abelis et Caini, 63; Q. R.D. heres 192, 255; Q.O.P. Liber sit, 17, Leg. alleg.,III,186; De P. Caini, 32; De L. Ad. Gadium, 278). Philo reveals that the rivers are the symbol of virtues of the soul where Prudence, courage and temperance govern the rational, the irascible and the appetitive parts respectively. When rage and appetite rebel and get emancipated, they make the horseman fall (rational part) and injustice overcomes. But harmony of the soul takes place when the rational part governs the two inferior ones as if they were two horses and justice overcomes (Leg. Alleg.I, 67ss.) quoted in Saint Matthew 3:15.

The cross is the reason and the sword which crucifies the snake of pleasure and ignorance

J. Bautista de Bernardino

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Philo reveals that John Baptist in the painting by Bernardino (photo on the left) points from the darkness of ignorance at the snake of pleasure whose meaning can be seen with a mirror. The cross is the symbol of the reason and the instruction which is taken on the shoulder in order to dominate Passion announced in the Gospels, with temperance. This passion is the sensorial apprehension which connects intelligence with the snake of corporal pleasure and disconnects it from reason turning it into mortal flesh identified with ignorance (De gigantibus, 29). The body of sin which hangs from the cross is the sinner intelligence of John Baptist (the son of the man mentioned in Jn3:14) who drinks and eats voraciously in each Eucharist, which was wrongly interpreted as the body of Christ.

Juan Bautista de L. Da Vinci

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Philo reveals that the hands and feet nailed to the cross are the symbol of abstinence and temperance where reason counsels the soul to abstain from sin (De SomniisII,68). Crucifixion is the one that allows healing the soul and avoids falling into temptation of Passion and vices of the body, which is John Baptist’s corporal language seen with a mirror. The legs nailed prevent John from bending his knees which is the symbol of the quadruped Passion that is seen with the mirror in the Piety by Michelangelo and in Jon Baptist by Da Vinci (On Somniis II, 68)

The cross is the reason and the instruction which kills those who live in vice and ignorance and resuscitates them into a new life full of virtues (Matt.16:24-26; Mark8:34-38; Luke9:23-26). The cross without the snake (photo on the right) shows John free from temptation of pleasure and ignorance thanks to faith in instruction, which starts to be covered by the mantle of the rational thought. (De Somniin1.102).

The miracles of the Bible, as Philo reveals it, are not those which heal diseases of the body but those of consciousness (the house of soul) which take place when reason, through instruction, cures the blindness of intelligence that is the sin of ignorance (Matt.15:14-16) (De somniis, I, 117, 164; De vita Cont.13; De Dec., 67; De C. ling, 27). Parables in the Gospels exercise intelligence (Mt15:15, 16) so that it understands the lesson if it has faith in teaching of Christ instructor (Matt.23:10).

The sword is the reason and word, symbols of instruction

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Philo reveals that the secret of faith is shown when disciples put all their confidence and attention in the master instructor since it becomes impossible to teach that one who does not trust (De Praemiis et poenis,49) his own master like Peter in Mt14:31. Instruction allows balancing the people (Eph.2:14) of mind and body, the one that resuscitates John’s humanity into a new man (Col.3:10) full of the spirit of knowledge and free of vice and slavery of ignorance. The three patriarchs Abraham, Isaac and Jacob are not human beings, but symbols of the virtues acquired by faith in teaching, by nature or exercising. These are the three potencies that conform the patriarchal trinity of priesthood of the sacred instruction (De M. nominum, 12; De Abrahamo, 52) that in the New Testament resuscitates those who are dead (Mk12:26,27) in ignorance due to the lack of education.

Philo, in a hard way, refers to sophists who detracted, in an absurd and unconceivable way, the sanctity of the logos, the one that was turned into a profane history of human beings by the councils (G.D.P.I.solet72; De P. caini87,150; De agricultura136,143,159; De C.ling.39;De M.Abraham,72). These who used subtlety are those who preached the Bible as a human history (Col.2:8) modifying in a tricky way (Col.2:1-5) the message of the Gospels in order to usurp his name from the only priest called Christ. That is why Saint Matthew 23:8:11 warns that no other man must be called FATHER, because that is the name of Divine reason and conviction which is in the heavens of each human being’s mind. With this, the Gospel warns that we must not admit mediation of third parties in its reading and let alone call a mortal human being just like us, FATHER.

Da Vinci and the fire of truth

Juan Bautista de Rafael Sanzio

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Raphael Sanzio’s John Baptist’s finger points at the fire of truth which is seen with a mirror

Da Vinci reveals that mirrors show in the works of art, the invisible images that unmask hypocrisy of those who humanized scriptures against Apoc.22:18. The miracles of the Bible, according to Da Vinci, were used by sophists to marvel the multitudes, hiding the secret that those prodigies are the ones that take place inside the human mind when this one reaches the Divine reason through instruction. Da Vinci refers to the power of the mirror as the baptism of fire mentioned in Luke3:16 and Luke12:49, that like an unexcusable judge (Rom.1:20) reveals the Bible is the history of John Baptist’s intelligence and sensitivity: “…Fire destroys betrayal and makes the truth shine in spite of the simulation that has no defense before such a judge removing the mask adopted by falsity and imposture of those who wanted to hide the truth” (Da Vinci, Ritcher Code 1210, 1358). Raphael Sanzio represented this fire in the cross John Baptist’s points at in his painting, referring to the mirror which shows the image of sensitivity, which is the real identity of the Biblical woman formed from a side (rib) of intelligence called man in Gen.2:21(Leg.Alleg.II,19ss). The mirror to the right shows John Baptist with his arms raised, far from Passion identified with Amalec (Exod.17:8-15; Leg.Alleg.III,186).

In John Baptist’s paintings, artists hid the mystery of sacred scriptures miracles which explain scientifically how human reason works and the places where scientists of 19th century detected intelligence and sensorial perception are situated inside the brain. The greatest challenge of history with which credulity and potential of human intelligence were tested.

The mirror reveals the secret of the Holy Grail

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The holy mirror Jesus holds in his hands is human reason, also identified with the golden sword of 2Macc.15:15,16 and the crook of the prodigies (Exod.4:17) which shows the fallen cup which, when pouring the sin of Passion (which killed Adam in the genesis) purifies John’s soul inside (Lk11:39,40). The cenacle just like the class in an educational institute represents John’s consciousness (the house of the soul) that receives the light of the Divine reason purifier of the stains of vice and ignorance the mirror shows with the shape of devil images impregnated on the walls of all the Renaissance paintings and in the ruins of the Antiquity.

This light entering the cenacle is the one that lights John’s soul (Adam) and turns him into a new man (Eph.2:14ss; 4:22ss; Col.3: 9, 10) called Jesus and his sensitivity (Eve) into the beloved disciple.

Photo of the crystal cup seen with mirrors in Milan cenacle

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This is how the biblical philosophy and the renacentists have represented the inside of the mind with human images. Jesus is full of the spirit of instruction (Acts1:2) which feeds the soul with right actions teaching the disciples through parables how to discern and remember (Drink and Eat) the Eucharist as the intellectual food quoted in Jn4:32 and mentioned by Philo (Leg.Alleg.I, 97; De P.Caini, 147ss.) who does not refer in any way to the ingestion of beverage and food in the human way. The mirror reflects the light of conviction on the table, on the wall, and in the expression of the disciples who got to understand (except for Peter) when they see the fallen cup which pours Passion (Lk22:20). The moment when the fallen cup is seen on the table with the mirror, all the disciples (except for Peter who denied being Jesus’ disciple in Jn18:25) receive the instruction of the sacred Eucharist which takes away the sins of John’s humanity pouring the blood of genesis sin.

Da Vinci represented Peter evoking the sin of genesis when he touches other man’s woman (sensitivity) (Prov.6:29; 2S12:9, 10) that is the spiritual plate that Jesus purified to show it to his disciples. Peter is the only apostle who usurped the mediation of the Divine reason when he questioned sensitivity directly about the traitor’s identity (Jn13:24) when all the rest of the disciples asked directly to the master (Mk14:19). This Peter’s disrespectful attitude prevented him from knowing the mayor secret of Christianity when Jesus revealed his disciples that Christ is the human reason that with a mirror shows the cup of the Eucharist is fallen. That is why Peter denies being one of Jesus’ disciples (Jn18:25) and ignores him with insults (Mk14:71). What for Philo is the worst testimony of Faith of instruction a master can receive. He did not know how to discern about the Eucharist either (1Cor.11:29), and drunk the blood of vice, crucifying the Divine reason he confused with the body of sin and preached faith in human resurrection instead of faith in education and wisdom which resuscitates those who are dead in ignorance. Peter’s inverted crucifixion (with his head placed where feet should be) represents the antichrist’s irrational figure who denied Jesus (1Jn2:22; 1Jn4:3) with oath (Matt.26:72) because he did not understand the message of instruction, due to the ignorance Jesus identifies with Satan (Mk8:33). Like Adam was expelled from Eden because he did not accept the instruction of God’s logos, Peter could not follow Jesus because he ignored the mirror was the key of science (Lk11:52) to enter the kingdom of Divine reason (the rest quoted in Heb.3:19), where Jesus against his own will could not let him get in due to his incredulity (Jn13:36-38).

Philo’s revelations just like Da Vinci’s prophecies warn that the human interpretation of the Bible is the one that crucified Christ and that human figure hanging from the cross is John Baptist’s body of sin (Jn3:14; Matt.17:12,13) called Jesus, which by mistake is given to devotees in each Eucharist.

James and Philip get surprised before this great revelation of the true Eucharist which let them reach definitive salvation when they see the fallen cup while Thomas puts his finger into his side (Jn20:27) to see the face of LORD GOD in the mirror of consciousness (Jn20:28). The kings seen inside the cup are passions and senses defeated by the right reason-Abraham and his Divine reason-Melquisedec (Gen.14:17). Far from imitating Abraham inspired by Melquisedec, Peter ignored Christ and touched another man’s woman with which the history of genesis was repeated and humanity was deprived of knowing the secret of Matt.13:35 that Jesus had come to publish it.

Montorfano’s mural is the mirror of facts which take place in the opposite mural of Milan cenacle

Montorfano’s Mural represents the events which take place in the mural of Milan cenacle placed in front of it, where Christ’s invisible spirit purifies the soul of vices and the passion of the body. Da Vinci did not finish to represent Christ’s Divinity different from Raphael who represented it between John Baptist and Mary in the Dispute of sacrament (Vasari)

Both murals facing each other in the refectory of Saint Mary Delle Grazie Chapel represent John’s intelligence and sensitivity (cenacle and crucifixion) connected by the images that are seen with mirrors in the paintings of the lateral mural, that like the corpus callosum (the real Way of the Cross), transmits the information and strength of will that reconciliates (Eph..2:14ss.) both nations (intelligence and sensitivity) of a same man (the sanctuary of Jn2:21).

Philo reveals that John’s sacrifice is done through abstinence (Leg. Alleg.II, 84; O.Mundi, 157) which allows separating intelligence (the mural of cenacle) from passions to unify it later with his sensitivity (Montorfano’s mural).

The three days of death and resurrection represent the days that separate vice from virtues (Exod.10:22, 23; 15:22.), (De S. Abelis et Caini, 47) with which the temple of John’s body and mind (Jn2:20) is built crucifying the old man identified with the mortal body of ignorance and resuscitating the new man (Eph.2:15; Rom.6:6) who is the spirit of the learned man’s conviction. The horsemen represent intelligence that has passions symbolized by the immobile horses under control (Leg.Alleg.II, 99), different from the passions out of control represented in the battles in attitude of combat.

The mirror is the holy spirit of instruction that cures illiteracy

The Virgen of the rocks

The mirror is the symbol of instruction, mentioned by Philo, which can be seen in the virgin of the rocks painting. Reflecting the right half of the painting,it can be seen the mystery of the imposition of hands ritual (Deut.34:9; Acts8:18;19:6), with which is performed the baptism of the holy spirit of instruction which lights the flame of fire (Gn3:24) of Sacred and Divine reason when Infant Jesus recognizes his own image in the mirror. The imposition of hands in front of the mirror is the symbol of the transmission of wisdom (Deut.34:9) and knowledge (Num.17:22) and language (Acts2:4) with which illiteracy is cured and discernment is exercised. The mirror reflecting the left half of the painting shows child John receiving baptism of knowledge as in a dream (Si34:3) between a Fairy and a Goblin. This painting is the sacred symbol of instruction where the wise men of Renaissance represented that knowledge and wisdom are transmitted in each generation as if it was done through a mirror (Sb7:26, 27) at which the angel points with his finger. Philo and Da Vinci explain that the Bible is the history of intelligence of John Baptist (paradigm of human intelligence) which is born without knowledge and needs instruction in order to achieve the sacred and divine reason in the same way that human beings must walk the long way of experience and evolution to get to know the true essence of their creator (Gen.1:26).

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The mirrors reveal that Buddha and Christ represent the Divine reason which wakes up and resuscitates the intelligences from the darkness of ignorance in order to enter the immortal world of wisdom, virtue and discernment, which allows knowing the essence of God, that Philo and Gal.3:20, identify with “One” self.

Therefore, those who live in virtue can only expect for immortal life and those who live in vice can only expect for eternal death (De P.Caini, 39). In the same way, whereas lack of instruction implies death, its presence brings health, salvation and immortality. (De Ebrietate, 140,141).

The Trinity of mind, body and spirit represented with the mirror

The Virgin, Saint Anne and the Child with John Baptist. Leonardo Da Vinci. National Gallery of London

The guardian face of Lord God (Old Testament)

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The mirror shows on Mary’s shoulders Jehovah’s eyes (Lord God) placed on the soul which becomes a virgin when giving birth to the sacred and Divine reason represented by Christ. Philo reveals that The Virgin has just got free from slavery (Lk1:48) of passion represented by Saint Ann. Philo and Da Vinci reveal that the sword (Heb.4:12, 13) through Mary’s soul (Lk2:35) is the mirror of discernment and instruction, the symbol of the third person in trinity that shows the heart (drawn with the virgin’s knee) and the mind making a unique image (the one of the mind and body joined by the mirror). Freud knew the secret of the mirrors in Da Vinci’s paintings, who he defined as a man repressed by erotic dreams of his childhood referring to the secret image of Adam and Eve hidden in the painting of John Baptist, to which Giorgio Vasari and Hegel also makes reference.

Bernardino Luini

Philo reveals that this is the semi human and implacable face of God’s angel (Judg.13:6; Ezek.39:29) that is seen with a mirror (2Cor.3:18) on Mary’s shoulder and in the characters of nobility of the Renaissance works of art.

Lord God’s face (God Yahweh) in the Virgin by B. Luini. Infant Jesus is the Word of the Divine reason (word) that is born from his mouth

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This guardian face is the protecting shield from instruction that protects from vice and ignorance, those who acquire the five particular virtues through discernment and conviction that free the soul from vice and illiteracy. This is the Divine image of God from the Old Testament that makes vices tremble in fear but makes proud the Virgin soul called Mary because LORD GOD placed ”his eyes” (Bible of Jerusalem) and all his power on her arm according to Saint Luke 1:46-55 (King James Bible): 46 And Mary said, My soul doth magnify the Lord, 47And my spirit has rejoiced in God my Saviour. 48For he hath regarded the low estate of his handmaiden: for, behold, from henceforth all generations shall call me blessed. 49For he that is mighty hath done to me great things; and holy is his name. 50And his mercy is on them that fear him from generation to generation. 51He hath shewed strength with his arm; he hath scattered the proud in the imagination of their hearts. 52He hath put down the mighty from their seats, and exalted them of low degree. 53He hath filled the hungry with good things; and the rich he hath sent empty away. 54He hath holpen his servant Israel, in remembrance of his mercy; 55As he spake to our fathers, to Abraham, and to his seed for ever.

This Burlington House Cartoon by Leonardo Da Vinci was the one which caused admiration of artists and public that walked for before it to see it (Giorgio Vasari, Life of Leonardo Da Vinci) as well as multitudes did it in New York, Washington, Moscow and Tokyo to show them in the 20th century the same face hidden in the Mona Lisa (G. Vasari). The version in color of Saint Ann, the Virgin and the Child by Bernardino Luini shows the birth of instruction (mandatorily instituted in the 19th century), which allows seeing the face over Mary’s shoulder as if it were a newly born with his feet ahead and a latex pacifier from the 19th century in his mouth. In the same way, Adam and Eve’s nudity is the symbol of extreme ignorance with which human intelligence is born; perfection through the acquisition of instruction and virtues is represented by the quality of the Renaissant characters’ clothes.

THE MIRROR OF THE SACRED SCRIPTURES & PAINTINGS will diffuse Philo’s revelations explaining the meaning of changes in name of the Divinity that in Chapter 1 of the Genesis is simply called GOD, but that in Chapter 2 and 3 becomes LORD GOD and that in chapter 4 turns simply into LORD. Philo also reveals the reason why LORD GOD had to close, angry, the doors of the Garden of Eden, and protect it with the flame of fire (symbol of human reason) to go and rescue intelligence-Adam.

Priest Melquisedec

One of the most important Philo’s revelations refers to the right reason that, under the name of Abraham faces the four passions and five senses. In the Bible desire, fear, pleasure, and pain are symbolically called the kings of passions just like seeing, hearing, touching, tasting and smelling are the kings of senses. Abraham defeats these nine kings (Gen.14:9) thanks to The Sacred and Divine reason coming from God to whom number ten corresponds, and who appears after victory referring to the high priest and King Melquisedec (Gen 14:17ss.) who is the same divine priesthood of peace and justice adjudicated to Jesus (De C. Q. E. Gratia, 92), (De Abrahamo 234-, 244), (Leg. Alleg.III, 82; Heb.6:20). A significant coincidence with the kingdoms of Europe and the Vatican as the king of kings (1 Tim.6:15 y Ap17:14).

The logos and the mirror

Philo refers to God (Jn1:1),(Gen.1:1)as the most ancient source of Reason and the logos (creator reason) as the most ancient existent image of God (De C. linguarum,147; De P. Caini, 69; Q. D. P. I. Solet, 82, De fuga,198, De Somniis,I.115; De O. Mundi,20ss). This divine logos of reason and discernment just like the mirror, is double, is the seventh one, is the image, is the divisor and separator of all material and immaterial things (De vita Mosis, II. 127 and Q. R. D. Heres 130 and ss., 225, 235; De O. Mundi,100). In The Republic by Plato (Gredos1992, 596, d) the mirror is mentioned as the artisan creator of the nature, in the same way Philo affirms that intelligence through a mirror represents God creating and presiding the universe (De Decalogue, 105). Philo’s works allowed finding the real meaning of the logos of John’s Gospel 1:1 as the human reason and the mirror of science that allows to see for the first time the emblematic painting of biblical history hidden in the painting of John Baptist by Da Vinci to which Philo of Alexandria refers repeatedly.(O. Mundi,152; Leg.Alleg. ,II,26; De ebrietate,90; De Cherubim60; O. Mundi, 76; De Somnis II, 206; De Abrahamo, 153; De vita Mosis.II,139). All the Fathers of Christianity mention this Logos of the Divine reason which was humanized in the extra Biblical councils.

The historical wars are those of the mind and the body where reason fights against Passion

The images of spirits seen with mirrors coming out from the dead bodies in the paintings of battles are one of the evidences mentioned by Philo proving that the biblical and ancient books deaths were not human, and that the sword represents the penetrating word of instruction (Leg. Alleg.III, 26). In this context the internal wars are those of the priesthood of Reason fighting against the irrational passions of the body (Jewish War and Troyan War), (James.4:1; 2Macc.15:21), (De gigantibus; De P. Caíni182-185).

The Bible is the master book of philosophy about discernment which explains the struggle of reason (LORD GOD, “I am”) against Egypt Pharaoh’s passion (John’s body snake) inside the mind just like in Buddha, in the Nous and the Greek Thumos, which in Plato’s intelligible and sensitive world, in the Oriental Chang and the Yin, in Jesus and Satan, in Saint George and the Dragon, in the super man and the people of Nietzsche, or in Freud’s SUPER EGO and the EGO.

In the Dispute of the Sacrament Raphael Sanzio represented the brain inside (the heavens of the mind) with the human figures of Divine reason which separates with its raised hands, John’s intelligence and Mary’s sensitivity, from Passion and pleasure. Philo reveals that Christ is the Divine reason that kills the snake of pleasure of the Genesis and resuscitates John’s soul into a new man.

All the books of philosophy from Plato to Freud describe this biblical language about the internal wars inside the mind. In the book of Exodus 32:27, Reason under the figure of Levite priests is the one that kills the irrational passions represented by brothers, friends and neighbors of intelligence, which does not refer to human beings at all (De Migratore Abraham, 140; De ebrietate, 69,70). This internal struggle ends with the arrival of Christ in the New Testament. Philo reveals that Christ is the priest of Divine reason which after killing the Passion of John’s vicious intelligence (sunken in the earthly pleasure of the body) resuscitates him with instruction in order to join him to the woman sensitivity (widow of vicious intelligence) in the heavens of the mind. This Divine reason called Christ is the one that joins in matrimony instructed intelligence and purified corporal sensitivity which will start to give birth to virtues (Philo reveals the great mystery of Eph.5:23, 32,33 where the husband is the head of his own body, that is the biblical woman). In this painting by Raphael, John is shown resuscitated wearing the mantle of rational thought receiving Mary in the house of his soul (Jn19:26, 27) the one Da Vinci places inside the brain (Ritcher Code 838). This is the real circumcision (Rom.2:29) of the heart (biblical synonym of the brain) where intelligence decapitates pleasures, which was wrongly humanized with the cut of the prepuce. Christ’s raised hands are the symbol of reason which separates intelligence from Passion and body pleasures.

The photographies of Renaissance, sfumatto, mannerism and Picasso

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Details

The negative shows the hair and the sword retouched with paint

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Original Painting

This cleared painting shows details that are not seen in the original

Picasso s painting

draws the veil of sfumatto and mannerism and publishes evidence proving that the mirror ( symbol of reason) is the greatest scientific challenge ever made to humanity that was left at everyone’s sight in the works of art, in the books of history and in the archeological ruins so that they could be found through Christ who is the Divine reason (represented with the mirror) and the only faculty that can awake intelligence from sleeping, what it undergoes because of passion of senses (Leg. Alleg. III, 11).

The scarce use of the brush, the brightness of the sfumatto, the traces of photo picture in the negatives that can only be observed with modern computing techniques are some of the numerous evidences showing that paintings are photo paintings of the 19th century, many of them created with digital techniques currently unknown. Pablo Picasso clearly defined art as a lie underlining the contrast between his childish and out of proportion paintings and the extraordinary works of art of Renaissance, which shows that his paintings were part of this great challenge made to human intelligence.

The mirrors show that sfumatto and mannerism were not styles of art of the 15th century but sophisticated digital techniques contemporary with neoclassicism of the 19th century and images about passion and ignorance mentioned in the Bible and books of history were hidden with them. The works of art were used to hide the secret of advanced scientific knowledge of culture which created them by using crystal mirrors, augmentation lenses, photography, electric current, reinforced concrete, and melting of heavy metals testing, according to Da Vinci, the vane and false judgment of human reason. The lack of exercise in discernment is the one that obstructs, according to Philo, Da Vinci and Descartes the reasoning which prevents distinguishing a painting from a photo, an engraved sculpture from a mold, rubbish from the 19th century from a millenary ruin, and it is the one that makes an aged papyrus appears as an ancestral relic (G. Vasari, Life of Michelangelo).

The images seen with the mirrors in the works of art and Vatican decorations show that they were not carried out by individuals but they would have been assisted by advanced technology such as electric engines, combustion crane, marble polishers and powerful industrial furnaces able to reach extremely high temperatures with which they melted heavy metals used in the decoration. The hiding of the actual date of construction of the so called FACTORY of Saint Peter opens a serious question about the true origin and nature of its builders.

The ruins, symbols of passions

Cod. Leicester y el Vaticano

Philo, just like Rousseau, reveals that the world is a scenario created in order to teach the flowering humanity of discernment (Rousseau-Philo) and exercise intelligence to reach the Divine faculty of reasoning. Pictorial and sculptural images are the symbol of the struggle of reason against the four passions and the five senses which were represented as omnipotent kings of disappeared civilizations that were supposed to have lived in the Antiquity.
The devil images of vice, passion and ignorance seen with the mirrors in the works of art (and on the representation of the characters and inventors of the story) were also left in the walls of Jerusalem, in the Oriental temples, in the ruins of Qumran and Massada, in the Egyptian, Greco-roman and Mexican ruins, which would demonstrate that they were built in the 19th century by a same entity, with identical and certain goal and in the same state of condition one can see them nowadays.

The mirrors allowed to discover that Leicester manuscripts have hidden the secret of the lateral displacement of Saint Peter Basilica regarding the central axe of the building and the square. The mirrors also reveal that inverted writing of Da Vinci’s codes, the Holy Mantle and manuscripts of the Dead Sea would have also been made with the technique of photo impression of the 19th century.

The Tower of Pisa

The images seen with the mirrors in the old buildings open a serious question about their historicity and about the techniques of building such as the Tower of Pisa, which would not be leaning year after year but would have been built premeditatedly on a large base of reinforced concrete with the same leaning seen in this Renaissance painting (with Galileo Galilei), which is the same one seen nowadays.

The city of Venice

The city of Venice would not be a city in risk of sinking either, but would have been built on an island specially canalized with technology similar to that used in the construction of the Suez Canal, as a tourist attraction with which they also challenged the judgment of tourists.

The Coliseum

The Coliseum represents the background of the fights of reason against passion whose remains are said to have been sused to rebuild the temple of Vatican which represents the house of the new man’s soul, the one that John Baptist turned into, paradigm of humanity.

Egypt pyramids

Egypt pyramids are one of the mayor challenges presented to human intelligence in order to make it discern about techniques of building and the existence of a huge base of concrete keeping them intact on the sandy ground of the desert should not be discarded.

The statue of liberty

The statue of liberty points with its finger at the mirror of instruction which is the fire flame of the Sacred and Divine reason, immortal symbol of the supreme faculty of human intelligence which broke the chains of slavery of senses represented by the kings of Europe.

The Vatican and the mirrors

The Vatican was informed about this finding on 27th July 2006 and answered on 22nd August 2006 through a letter signed by the President of the Pontific Commission for cultural assets of the church, Monsignor Mauro Piacenza and his Secretary Dr. Carlo Chenis (Prot. N 166/06/07). In it, the representative of the Holy See pled incompetent to give an opinion on the meaning of the mirrors which allows to see the fallen grail at the cenacle of Milan, the image of Adam and Eve, the face of God Yahweh hidden in Virgin Mary, the mirrors of The Piety by Michelangelo, those of Raphael Sanzio and about the evidences of the logos and the Christ like the mirror of human reason mentioned by Philo of Alexandria and the fathers of Christianity.

This page presents an extract of the encyclopedia THE MIRROR of the sacred scriptures & paintings, in answer to the request of the Vatican so that the critics of art can discuss about the meaning of this finding in the historiographic environment, whose opinion will be published in volume II.

This is a foundation dedicated to diffuse the true meaning of the Bible about the sacred history of human reason revealed by Philo of Alexandria. These works are indispensable to acquire the virtues of prudence, courage, temperance, justice and goodness through Divine reason and conviction which represent the true Christ who is inside the mind of each one of us and whose name we must purify and vindicate in order to transmit it to future generations. On this site, people of all nationalities who wish to become part of this foundation to transmit this message to the communities of the whole world will be able to be registered.

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